Day 201 - Pork Pie/Joyride



Day 201           Joyride/Pork Pie [2017]
                          
Screenplay                     Matt Murphy
Based on                       ‘Goodbye Pork Pie’ by Geoff Murphy & Ian Mune
Director                         Matt Murphy
Cinematography             Crighton Bone
Music                             Jonathan Crayford
Leads                             Dean O’Gorman, James Rolleston, Ashleigh Cummings, Antonia Prebble,
Production                      Four Knights Film

IMDb                                 6.4/10
Rotten Tomatoes                100%

As I mentioned right at the beginning of this blog (Day 11) – I am a big fan of kiwi comedy. There is something about the accent which makes their delivery and mannerisms fit snugly into a comic setting. Pork Pie, or Joyride for international audiences, is a film based on kiwi classic, Goodbye Pork Pie (1981). The classic is a cult NZ film and money must have been tight in the Murphy family because Matt Murphy decided to remake his dad’s much-loved road trip film. I don’t know much about the original and I don’t think anyone reads this blog as far away as New Zealand, so I can safely ignore it for now and concentrate on the modern version.

Joyride follows a group of accidental outlaws as they travel the length of New Zealand in a stolen yellow Mini. Luke (Rolleston), a cheeky Maori boy racer type, steals a car and nearly runs over Jon (O’Gorman), a washed-up writer. He agrees to take Jon to a wedding that Jon’s ex is attending in order to win her back. After some trouble with a traffic officer, they also pick up Keira (Cummings), a vegan activist who literally jumps out of the window of the fast food joint she is working at in order to escape her boss. The film continues as a road trip slash police chase as the trio go viral after Keira posts on social media. Although the ‘Blondini’ gang haven’t broken any major laws, bar resist arrest for minor charges, they soon have the whole of New Zealand’s police force chasing them, as they are believed to be armed and dangerous.

The film has occasional flashes of brilliance – the chase scenes are performed well, a wacky supporter of the Blondinis adds some comedy flavour and a scene with multiple minis did bring a smile to my face – but ultimately it falls short. The script left a lot to be desired, as I cringed at much of the romantic dialogue between Luke and Keira. O’Gorman was solid, and although visually brilliant, his lines could have been better. Really the whole thing just serves as an advertisement for Mini and Visit New Zealand – I’m sure getting the funding was a piece of cake. The thing I enjoyed most about it really has nothing to do with the film itself. I enjoyed that it’s kiwi spirit, bringing the unique comedy of New Zealand into international cinema, and with people like Rhys Darby, Taika Waititi and Flight of the Conchords enjoying success after success, I hope New Zealand’s cinema scene continues to grow.

Acting                           2.5 / 4
Writing                             2 / 4
Cinematography               3 / 4
Music                            2.5 / 4
HWF rating               2.5 / 4

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