Day
125 Fish
Tank [2009]
Screenplay Andrea Arnold
Director Andrea Arnold
Cinematography Robbie Ryan
Music Steel
Pulse
Leads Katie
Jarvis, Michael Fassbender, Kierston Wareing, Harry Treadaway, Rebecca
Griffiths
Production BBC Films, UK Film Council, Kasander Film
Company, Limelight Communication, ContentFilm
IMDb 7.3/10
Rotten Tomatoes 91%
Arnold
and Ryan have an uncanny knack of making real-world films. The combination of realistic
situations, complex characters and handheld camerawork with natural light make
for absorbing cinema. You feel like you are part of the story, drawn in by the desperate
truthful circumstances of the actors. I think it makes sense to watch Arnold’s
progression through film so, if you haven’t seen them yet, watch her
Oscar-winning short Wasp before you watch this and then watch the
excellent American Honey afterwards. Fish Tank tells the story of
15-year-old Mia (Jarvis) who lives with her single mother, Joanna (Wareing),
and her little sister, Tyler (Griffiths), on a council estate in Essex. They
have a hostile relationship despite all living under the same small roof, not
helped by their mutual love for alcohol. The girls’ belligerent lives are interrupted
when Joanna starts seeing a handsome new boyfriend, Connor (Fassbender). The acting
in this film is outstanding. Especially from newcomers Katie Jarvis and Rebecca
Griffiths. Neither had acted before as Arnold likes to use unknowns, so that
the film can be its own little world, without the awareness that movie stars attract.
It also means she can mould the performances as she goes, and they are more
real; simply because of the inexperience of the actors. Jarvis manages to simultaneously
be a cold, disobedient brat and a fragile, caring young girl. She has to endure
a brutal relationship with her unloving mother and yet you can tell she looks
up to her just by the way she watches her dance. I am in awe of Ryan’s
cinematography and if I ever directed a film I would want him at the helm with
me, or at the least I would make my DP study his films meticulously. He makes
ugly council houses look like Greek sculpture and drab British countryside look
like Turner paintings. The film provides an honest snapshot of low-income Britain merely by telling the story of a teenage girl and that’s what makes it so brilliant. This one
slides into the Hall of Film without much of a thought.
Acting 4 / 4
Writing 3.5 / 4
Cinematography 4 / 4
Music 3 / 4
HWF rating 4 / 4
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