Day 198 Twentieth Century Women [2016]
Screenplay Mike Mills
Director Mike Mills
Cinematography Sean Porter
Music Roger Neill
Leads Annette
Bening, Elle Fanning, Greta Gerwig, Lucas Jade Zumann, Billy Crudup
Production Annapurna Pictures, Archer Gray, Modern People
IMDb 7.3/10
Rotten Tomatoes 88%
Twentieth Century Women is a film described in most
summaries I've read as ‘the story of a teenage boy’, but really it is a film
about the women who surround him, and at least the title subtly references
that… The protagonist in my eyes is Dorothea Fields (Bening), a 55-year-old divorcee
who lets out rooms in her shabby, yet beautiful home. She is a hippy at heart
and struggles to raise her young son Jamie (Zumann), so enlists the help of one
of her lodgers, Abbie (Gerwig), a staunch feminist and photographer in her
twenties, and her son’s friend, Julie (Fanning), a rebellious teenager. Jamie
lacks a male role model, as Dorothea’s other lodger, William (Crudup), is also
a hippy and spends more time with his tools than with people.
I thought the cast were brilliant, Bening gave a commanding
performance, but for me it was Fanning who stole the spotlight. Her treatment
of Jamie infuriated me, as one of not-so-platonic love, and my favourite moment
of the film was when Abbie gets drunk and tells Jamie exactly what we’d all
been thinking. Fanning radiates convincing adolescent anxiety and possesses
talent far beyond her years. A child star who will continue to shine for years
to come. Abbie initiated the other best moment of the film – an open discussion
about menstruation combined with a celebratory dinner party – as well as my
favourite quote of the film – “who are your heroes? Privileged drug addicts?”.
Throughout the film I couldn’t help but notice how similar Bening and Gerwig
are, you can tell they both grew up in California with that drawling laid-back
accent.
The movie is a nostalgia trip. With its rainbow haze and the
intermittent stock images and footage cut in. It made me want to be Jamie or
Julie, roaming around Santa Barbara in the seventies. The nostalgia is induced
by one of the stronger themes of the film, the melancholy of growing old and
growing up. Whether this be Jamie and Julie’s growing pains in dealing with
teenage angst and moving through adolescence, Abbie’s transition into adulthood
and the problems of having to find out who you are and what you want to do with
your life, or finally Dorothea lamenting on her youth and on the disconnection
between her and her son. It’s a film about lost and alienated souls, about
awkwardness, and most of all about the search for meaning in one’s own life.
It’ll make you look back upon old friendships and look forward to new
beginnings. Mike Mills can be proud of his best work to date.
Acting 4 / 4
Writing 3.5 / 4
Cinematography 3.5 / 4
Music 3 / 4
HWF rating 3.5
/ 4
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